WE PRESENT :

THE GENESIS-GIZA CONNECTION

PART VII

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HORUS - THE KEEPER OF THE ARK OF THE COVENANT

The Giza Plateau Connection :

The connection between the Great Pyramid and the method of access to the " Ark of the Covenant " - The Crystal, deep below the Giza Plateau.

 

PREFACE:

Those of you who have been following the articles and regular updates on our websites, will have realized our true agenda, that is, the search for the truth, and to bring that truth, whatever the consequences and debate it brings, into the public domain.

We have introduced, via diverse means, the many complex and, at times what may have appeared to be bizarre, revelations in our search to reach the ultimate goal that is, to offer you the background and real purpose behind the complex construction and layout of the Giza Plateau. In analyzing this ancient pyramid complex, it has appeared, that we have in front of us a veritable plethora of data to prove out our very origins on and off, this planet and to the make up of the cosmos itself.

As the dawn of the new year 2000 materializes, we too would like to offer an enlightened revelation of literally cosmic proportions. The evidence and research displayed below is the culmination of many years research and investigation.

It is hoped in offering this material it will help to dispel the many rumours and rumblings of the purpose and purport of the so-called ‘pyramid complex’ located on the Giza Plateau, Cairo, Egypt.

Enjoy.

Howard Middleton-Jones

James Michael Wilkie

January 2000


From The Journal... ... ... ...Of Jim M. Wilkie

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~ My mind awakes From its burdened path

To find a sphere Devoid of knowledge, Adverted by Popular belief,

Inlaid by self hate, An enthralled trail of mystical wisdom,

Sprouting only unto thy seed, A laxness so tensely strung

So as to have removed the melody, And wisdom diminishes mechanically

Envision, envision a perfect peace, So totally alienated from now

Grab, grab that second hand, Of geologic time

And ride it back, back to the beginning Only then do I make sense

Belief – begins, Balance – withstands, Emotions - alter states

But knowledge is impeccable. ~

© James Michael Wilkie

 


WE BEGIN:

In the previous articles, ( see list below) we have explained the important relevance of the book of Genesis and the Giza Plateau pyramid complex, Egypt, as a blueprint as to the origins of planet earth and its inhabitants. In addition, we expanded on the importance of the date December 21st 2012 and the planetary alignment connected with the layout of the Giza complex. While in the update CRYSTAL CLEAR and in the more recent articles, THE FINAL COUNTDOWN and THE EXPERIMENT we explained the location of the main focal crystal below Giza and the connection via a GLOBAL GRID where crystals are to be located at other ancient sites.

In this vitally important update, we are placing forward an explanation as to the location, method of construction and opening mechanism of the hidden chamber that will lead to the so termed ‘Ark of the Covenant’ (or, more precisely, The Crystal!) that lies deep below the Giza plateau.

This essential and most sought after information is the ultimate goal of many researchers and agencies, which have been attempting to gain access and therefore control for some time.

The entry to this ‘hidden passageway’, which ultimately leads to the location of the ‘Covenant’, can be found via the Grand gallery within the Great Pyramid of Khufu. ( Cheops )

Image Of Cheops

.

The following information will be the most important set of data released so far, where we will furnish the evidence and information required, in order to activate the mechanism within the Grand gallery of the Great Pyramid of Khufu, and thus provide access to the hidden chamber. This in turn will lead to the covenant, or crystal, whereby advancement of same (to stabilize the earth’s core thus to provide a ‘shield’ around our atmosphere) should be realised ASAP. The method of advancement and identity of the person/s who can effect this maneuvre has been dealt with in THE EXPERIMENT.

Prior to our divulging this information, it is imperative that the reader comprehends the Giza complex as a whole, that is the relation of the Great Pyramid (G.P), the Ark of the Covenant, and the separate location of the so-called Hall Of Records (HOR).

THE HALL OF RECORDS:

If one follows the article on the AMBILAC site (Ambilac news), the entrance to the HOR can be seen to have been established under the south paw of the Sphinx, but only when the Sphinx has been moved down to its calculated position. That is after moving the entire associated valley temples, etc to their aligned position.

This location was given as:

Lat. 29 deg. 58’ 29"

Long 31 deg. 08’ 28"

As we follow this important evidence, it may prove useful to bear in mind the following information. The present location of the Sphinx is exactly 15 degrees, when calculated from the west end of the right paw, up to the mid point of the bottom casing stone located on the east side of the Great Pyramid. From that very point, it is precisely 30 degrees in elevation to the centre point of the sarcophagus (the ‘Coffer’) located in the King’s chamber. This enables us to point out that from the Hall of Records we can establish the precise location of the tomb of ‘OSIRIS’! Indeed, the sarcophagus of Osiris and the sarcophagus of the King’s chamber are the same! Remember the adage of the Hermetic texts, ‘as above so below’, in this case it is ‘as it is inside, it is outside.

This same principle may be applied to the location for the SECOND tomb, as marked out in the case of Khefre. The location of this tomb is calculated from the data, which represents the corner angle, of the entrance to the Great Pyramid is derived from. Thus the location of the first and third ‘Queens’ pyramids adjacent to the Great Pyramid. More of these pyramids in the section below.

THE COVENANT, OR THE CRYSTAL:

Having now established the location of the HOR, in the following article we are now imparting to you the knowledge of the separate location of the ‘Covenant’. We consider this to be one of the most important pieces of knowledge divulged so far, and rightly should be shared with those interested and concerned with the future of this planet and all that dwell upon it.

The hidden chamber, as we will explain in detail, is accessed through an opening in the Grand Gallery, from where an access point, under a thin rock located in the floor of the room, will ultimately lead to the ‘covenant’. This chamber, where the ‘Covenant’ can be found, is formed by a natural cavity within the limestone below the Great Pyramid.

However, this structure, known by most as the ‘Covenant’, is in fact The CRYSTAL, of which we have discussed in detail in our previous updates. This complex crystal emits the BLESSING, or the shield as explained in our article THE EXPERIMENT.

On the eastside of the Great Pyramid are located three smaller ‘satellite’ pyramids, known as the ‘Queen’s pyramids’, as they were thought to be associated with the wives of the Pharaoh Khufu. The middle pyramid of these three lies on the line which precedes the chamber of the Covenant, which in fact is located under the adjacent southern pyramid known as Horus, or Isis. Link to AAA for a view from this pyramid. It is this room which is only accessed from within the hidden chamber via the Grand Gallery. The passageway leading from this hidden chamber to the inner room is shown inside the Great Pyramid by the presence of the WELL, both in its method of entry as well as its exit. That is, the doorway leading out to the horizontal subterranean chamber. All of these ‘measurements’ and markings are incorporated into the Great Pyramid’s overall design.

Bearing this revelation in mind, we continue….

The information below is intended to enlighten certain agencies and researchers as a catalyst, in which to instigate proceedings towards timely access to this site of extreme importance.

 

DECIPHERING THE INTERIOR OF THE GREAT PYRAMID:

The site must be deciphered in its entirety.

Entrance to the hidden passageway must be exact, but on the other hand must be constructed so as to avoid accidental detection. Therefore, the construction of a mechanism to access the inner sanctum must be made to ensure any attempt at entry would be a major undertaking, a co-ordinated team effort.

A "key" or code of great complexity would have to exist in order to gain access to this subterranean site. Thus the following information has been deciphered, understood and mathematically applied, so as to give the location leading to the hidden passageway and in turn access to the "covenant" or crystal.

THE PHYSICAL EVIDENCE:

To comprehend as to what this is all about in our search for the hidden chambers and thus to the stored ’covenant’ under the Giza plateau, we must begin by identifying and deciphering the intricacies involved in the layout of the Giza Plateau once more.

For your convenience, and ease of understanding we have placed a number of illustrated links, thus it is essential to view these graphics in association with the text to understand this complex layout.

In addition, it would prove useful to have read the AMBILAC site, (Ambilac news section on the Giza layout) and taken on board the related graphics.

We commence at the point on the baseline due east of the satellite (Queen’s) pyramid of the Great pyramid, termed as Horus, coincidentally between which can be found the Temple of Isis. From this point on the baseline, a line is drawn directly to the intersecting point, where the procession way (of Khufu) abruptly changes direction by 15 degrees and then heads on up to Khufus’ mortuary temple. This angle is found to be precisely 50 degrees (Using our baseline as 0 degrees). Interestingly enough we find that a line drawn out in the opposite direction (using the baseline as 0 degrees reference point) at 51.42857 degrees not only crosses over the right paw of the sphinx but it crosses over the exact point we previously described as the entrance point to the ‘Hall of Records’.

The above figures of 50 and 51.42857 degrees are highly significant figures as we will soon see, while the other notable angle is the 15 degrees shift in the procession way. It is this 15-degree angle we will now explain.

Remember, the original angle as it left Khufu's’ Valley Temple from the Southwest corner was originally 30 degrees as it heads out directed towards the pyramid of ‘Horus’, the 15-degree correction we find is now culminating to the centre of the Great Pyramid. The original angle of 30 degrees being split exactly in half resulting in being directed at the centre of the east side of the G.P. We then start back at the Valley Temple and begin to extend a line out from the centre point of the West wall at exactly 15 degrees to find that the end point intersects with the N.E. corner of the G.P. "Shades of Mirror Imaging." To be exact it lines up precisely to the centre point of the corner casing stone.

Once that single point was identified, the entire complex then opened up completely for decipherment, doing so in the following manner.

Recalling the 50 degrees and the 51.4285-degree angles and where they were shot from, it transpires the angle of the incline of the Great Pyramid when measured from that centre point of the casing stone is precisely 50 degrees. The angle when measured from the outside edge of the casing stone is a very precise 51.4285 degrees. (It is worthy to note that from the point we measured up and found the 50 degree incline there is a very precise 10 degree arc spread between our 50 degree angle and the angle of the incline on the outside edge of the casing stone).

Next, taking the small pyramid up from the bottom baseline, incline it inward placing the mid point on the centre of the casing stone measuring point. It is then sized so that it's end points align to the centres of the north and east face of the Great Pyramid. Bear in mind the small black pyramid (in the Ambilac diagrams) that was brought up was extended out along the original baseline and terminated in the exact spot of the much larger red pyramid (And was also used to locate the H.O.R.) Further evidence demonstrating that this had to be constructed in this manner is the shadow of the small black pyramid which gave us the date of Dec 21st, is showing the sun sets in the West, not in the North. By moving the side of the small black pyramid to the east face of the Great Pyramid the shadow would then fall in an Easterly direction.

Finally, the north side. The Valley Temple side of the small black pyramid demonstrates that entry is made in the centre of an above ground structure or temple. The remaining elements on the plateau we will explain when we disclose the events and the physics which drive them as they will occur on Dec 21, 2012.


(click to enlarge)

We will now show you how to locate the entrance to the hidden chamber.

As with the plateau complex overall, one simply had to compute and read the layout and distinguishing features. We will also explain how to activate the opening mechanism.

We list below the important elements that demonstrate the calculations arrived at, after which an explanation as to how this all fits together will be described in detail.

1. First, prior to entry one is aware that the entrance is offset

24 feet or 1.42857 degrees from due North.

2. The angle of the Descending passageway is 26.28571 degrees, which should be 30 degrees (30-3.714285=26.28571)

3. The angle of ascending passageway is 26.28571 degrees, which should be 30 degrees (30-3.714285=26.28571) 3.7142857= arc spread of zero when 3 zeros intersect at 30 degree angles. Thus 1.42857= Value of zero

4. The Passageway leading to the Queen's Chamber from entry point of passage to the point where step down occurs and drops down to floor level, is equal

to 1.42857 degrees of arc.

5. From the corner when one first enters the Grand Galley and on the same level as the passageway leading to Queen's Chamber 30 degrees of arc, is the height of the top of the parallel ledges which run up the Grand Gallery.

6. From the outside edge of the G.P.'s casing stone at a level equal to the floor in the Queen's Chamber it is exactly 30 degrees of arc to the top of the roof of the King's Chamber.

7. The five (5) tiered niche inside Queen's Chamber begins at floor level, while the top of the peak of the King's 5 level ceiling has an arc between the 2 of 30 degrees thus the connection to the two.

8. The top tip of the roof over Queen's Chamber is offset from the centre of the hole in the floor of the Subterranean Chamber by 3.714285 degrees of Vertical arc.

9. The two stacked up, inlaid peaked rocks found above the entrance to the pyramid, point to the following. The peak of the lower one is exactly equal to the height of the floor level of the passageway leading to the Queen's Chamber. The upper one is exactly equal to the maximum height of the walkway in Grand Gallery where the passageway to Queen's Chamber begins, the point where the abrupt wall starts.

10. The angle correction to the existing ascending passage, measured from the point where the ascending and descending passage intersect to an exact 30 degrees, intersects the Grand Gallery walkway at the precise level as the base of the 34th. tier of the Great Pyramid. The 35th tier is equal to the floor level height below the 20th mortise.

 

Before we proceed to the understanding of how one can open this hidden passageway, via the grand gallery, the basic methods of construction must be understood. In addition the materials utilised, the location and the reasoning behind the builders’ selection.

In the Grand gallery are located 50 mortises, 25 on either side, into each of these a wedge is positioned, located between the post and adjacent wall. Each wedge is driven downward, causing a pivoting effect, thus pushing the bottom of the ledges outward while simultaneously causing the top to lean inward.


click to enlarge

The east and west ledge stones, lying either side of the gallery, are cemented together so as to move the whole as one stone, under these ledges is a layer of sand, deposited for a definitive ultimate purpose. The recent discovery of this sand, especially in the Queens chamber, and its purpose will be dealt with later.

 

METHOD OF OPERATING MECHANISM:

A continuous downward pressure from each of these wedges causes a rock at the lower end of each wedge to be forced out and subsequently fall. As these rocks fall, so does the layer of sand, thus creating a shifting surface below the ledges. This surface allows the walkways to rotate slightly, and it is during this process the two ledges separate further.


click to enlarge

This structure is composed of 11 rocks, but not all of these rocks will actually move, a few of the rocks along the top of the centre walkway will fall to expose the entrance to the passageway. The remaining rocks above and below this level will remain in place on the walkway. However, it seems that there are at least seven other rocks located beneath the walkway level, of which are best described as shaped, in part, like a girdle stone.


click to enlarge

These girdle stones are made of a harder granite rock and when released will slide along guides thus directing their fall, eventually landing on a bed of sand softening the impact, thus preventing shattering.

The main purpose of the granite rocks is to prevent accidental exposure of the opening itself, thus lessening the probability that a solid straight open cavity, or passageway, could be detected.

These granite stones have small wing-like protrusions extending out from the sides, and are there to hold the stones in place when the two ledges of the gallery are in the closed position.


click to enlarge

This was accomplished by cutting cavities into the adjacent locations in the ledges themselves.

Initially, the ledges were built with their moveable rocks in place, in order to accomplish this the outside ledges were locked in an open position. As each rock was added to the ledge and cemented together, it was imperative that the ledges be left open as construction progresses.

The rocks themselves were held open by inserting posts up along the wall, adjacent to the ledges, finally wedging them into place.

To ensure that the walkway could be closed it was necessary to incorporate a method to release and remove these wedges and posts. This was realised by carving a cross-shaped indentation above each mortise.

Once the walkway reached the height to which the Great step was to be placed, a hole was drilled into both ledges and an iron pin inserted. Corresponding holes were then drilled into the Great step, which was then fitted to connect with the ledges. The great step now became part of the hinge mechanism.


click to enlarge

Once the mechanism was in place, sand was poured in allowing the massive weight of the ledges to rest upon the sand, until such time when the opening be activated.

When the ledges were all in place, they were driven down into the horizontal section carved into the walls of the gallery above each mortise. These vertical sections of the carvings give the height and width of the posts required for operation to maximum efficiency.

Upon the wedges being driven down into these vertical slots, the posts and wedges could then be ignored and the capping stones of the centre walkway could finally be positioned into place.

By using the anomalies present (the various types of stone) in the passageway leading to the Queens Chamber, the total length of the hidden passageway can be calculated.

Upon entering the passageway, the type of stone changes to a much harder rock, while further along the passage it takes an abrupt drop of two feet. Thus the total length of where this harder rock begins, until the drop of point, is a significant factor.

Running horizontally, we find it to be equal to the length required for our new passageway to commence, carrying through to the point where our proposed point of intersection occurs.

The second clue is that in order to enter the existing Queens chamber one must step down, this is indicative that the passageway we are seeking must exist above this level.

Both ledges, which flank the opening, have five recesses cut into them directly opposite each other, these are all cut below the level of the walkway which runs up the gallery. Thus providing the evidence that the method of entry was present by the existence of these recesses that once held the centre walkway, and once the mechanism was activated, allowed them to fall.

If they had been free falling, the floor would have been anything less than smooth.

The next stage was the removal of the end of one of the side ledges so exposing the well shaft. It was near this entrance that the first iron pin was discovered. Further down the well, at the ‘Grotto’, a granite block is located with a hole drilled into it, this block was left to give the impression it had fallen down the well shaft from the entry point of the well inside the grand gallery.


click to enlarge

The well shaft provided an area for the sand to exit into, thus allowing for easier pivoting of both side ledges. In addition, it is important to note that an additional pin was discovered embedded into the wall down towards the bottom of the well shaft.

There is also additional evidence incorporated in the great gallery. First, the moveable rocks located on the roof of the gallery are not cemented together, while the ceiling width is very close to being the width of the centre walkway running up the gallery. This allowed for the marking of the fifth corbel, which was previously established to be the fifth shaft, while also enabling the determination of the location of the sixth shaft and its point of intersection.

In addition, it reinforced the premise that when we lever out the two ledges on either side of the walkway, this would cause them to flare outward at their base.


click to enlarge

This effect seems to have been caused as if the relative angle of the corbel ceiling had been wedged from above the ceiling itself. Thus driving down a one-inch wedge at the top would easily move the bottom of the rock out 3-4 inches.

 

Onward Inquisitor, Continue Your Reading At "The Great Step"


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SITE NOTES :

The Authors Of This Release

Howard Middleton-Jones

James M. Wilkie

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